Americana
Quick Introduction
The americana (keylock) is typically the first submission learned from mount. A figure-4 grip rotates the arm toward the mat — the opposite direction of a kimura. Catches defensive arm positions and teaches fundamental submission mechanics.
Position Overview
From: Mount, Side Control | Finish: Shoulder rotation toward mat via figure-4
From Mount (Classic)
- Opponent pushes your chest or frames with arm at 90°
- Pin their wrist to the mat beside their head
- Slide arm under their elbow, grab your own wrist (figure-4)
- Keep their wrist pinned to the mat throughout
- Lift elbow slightly off mat
- Paint-brush rotation: slide hand toward their hip along the mat
Key detail: Their wrist NEVER leaves the mat. The rotation is flat along the ground — like painting a stripe toward their hip.
From Side Control
- Catch their near arm when they frame against your neck
- Pin wrist to mat, thread arm under elbow, lock figure-4
- Same paint-brush rotation toward their hips
- May need to sprawl hips away for more leverage
Core Principles
- Arm at 90° — only works on bent arms; straight arms need armbar
- Wrist on mat — lifting converts it to kimura direction (wrong)
- Slow rotation — paint-brush motion is gentle but effective
- Tight figure-4 — loose grip = they pull free
- Opposite of kimura — americana toward hips/mat; kimura toward back/head
Common Mistakes
| Mistake | Fix |
|---|---|
| Arm not at 90° | Only works on bent arms; switch to armbar if straight |
| Wrist lifts off mat | Keep wrist pinned throughout rotation |
| Too fast/jerky | Slow paint-brush; shoulder injuries are serious |
| Confusing with kimura direction | Americana = toward hips; kimura = toward back |
Next Steps
- Kimura - Opposite-direction lock; learn both for dilemmas
- Armbar - When they straighten their arm to defend
- Mount - Master mount control for setups
Related Resources
- Mount - Primary position
- Side Control - Alternative position
- Submissions Overview - All submission techniques